Tuesday, June 21, 2011

A Poem about Not Writing Poetry


A  Poem about Not Writing Poems

Coaxing a poem down from a tree,
out of the dog house.
Luring a poem into a car
out from behind its mother’s skirt.
Pushing a poem onto a stage
into the pool.
Hunting a poem nestled beneath the chemise
curled on a rock.
Gunning down a desperate poem trapped in a canyon,
sandstone cliffs rising a thousand feet.
A rock slide blocks the getaway.
The poem cries out, “They’re coming to get me!
I hear the thunder of hooves.
The ground shakes.
They ride closer and closer.
My palms sweat.
My heart pounds."

The leader of the poem posse says,
“Well, Tom, put away your pistol.
that one died of fright.”

Tuesday, June 14, 2011

I will be Finally Writing When...



I will be Finally Writing when I have the externals right.  The pen must be a Precise V5 extra fine and I need a box of them available before I can begin.   The desk must be the correct height and the chair comfortable but not too comfortable.  There has to be a window and the window has to have a view of nature, but it can’t be a view of things I need to do.  I need coffee.  I need to weigh the right amount. I may need a facelift.  I need to have everyone in my life busy and happy, not too close but not too far away.  I need to know what I’m going to write before I begin writing  and to know that it will be not just good but great.  I concede it may take several drafts to get there.  I am realistic, you know.
I need to be free of any anxiety about how to get this great piece published.  I just need to be assured that it will happen without my having to do anything.  I need to know that what I say will be original and  profound.  I won’t need a facelift before I’m Finally Writing.  That’s ridiculous.



Friday, June 10, 2011

On Writing: Tough Love from Stephen King

"You can approach the act of writing with nervousness, excitement, hopefulness, or even despair--the sense that you can never completely put on the page what's in your mind and heart.  You can come to the act with your fists clenched and your eyes narrowed, ready to kick ass and take down names.  You can come to it because you want a girl to marry you or because you want to change the world.  Come to it any way but lightly.  Let me say it again:  you must not come lightly to the blank page.


I'm not asking you to come reverently or unquestioningly; I'm not asking you to be politically correct or cast aside your sense of humor (please God you have one).  This isn't a popularity contest; it's not the moral Olympics, and it's not church.  But it's writing, damn it, not washing the car or putting on eyeliner.  If you can take it seriously, we can do business.  If you can't or won't, it's time for you to close the book and do something else.

Wash the car, maybe."

      from On Writing, A Memoir of the Craft by Stephen King

Tuesday, June 7, 2011

I want a writing group and I want it bad-ly

Thought du jour.  How do I turn this blog into a writing group?  I want support.  I want commiseration.  I'll figure it out.  Quid pro quo.  I'll support you, too.  I'll cheer you on.  I know there are online writing groups, just like there are online AA groups and online Weight Watchers.

So, dear imaginary friends, I have to say that I have been staying at it.

Monday, May 30, 2011

Getting the habit of writing

I recently read that it takes twenty-one days to develop a habit.  Today is my fourteenth day--writing something, working on something.

Sunday, May 22, 2011

Writing While Getting a Pedicure

Does jotting  thoughts in a small orange Rhodia notebook while getting a  pedicure count as Finally Writing?  Okay, that is a rhetorical question.  I don’t want to get distracted by equivocation.  For example, you might reply, “ Does writing ‘Wash Me’ with your finger on a the dusty rear window of a dope dealer’s Hummer parked in front of Ukiah Natural Foods count as Finally Writing?”  This is not a conversation.  This is me with a renewed determination to fill those spaces of time when I am sitting, hands free, with a pen and a small notebook, items you can count on finding in my purse.

Right now, the habit of writing is my point.  It’s 6:20 p.m. in this nail salon in a small strip mall in the same part of town as Wall Mart and Staples.  There is only one other customer and she is about to leave.  If I had my camera, I’d take a picture of the rows of life-sized, flesh-colored plastic index fingers, bent like swan’s necks, showing all the design possibilities for acrylic nails.  They are grotesque, but you get used to it.

Here’s what is unusual.  A middle-aged Vietnamese man prepares to give me a pedicure.  In my experience, the guys stick to doing the acrylic nails, and they are usually younger than this man, who, with his wire rimmed glasses, seems scholarly.  I can imagine him working in the public library.  I watch him sitting in the low-backed black chair removing the dead skin from beneath each of my toenails, concentrating on the job with the same diligence as the women do.  He wears  surgical gloves, a white t-shirt beneath a white smock.  He could be a druggist.   Although his head is bent in the direction of my feet, he joins in the desultory conversation with the other employees—another man and three women.

If I had some kind of recording device I would capture the sounds they make.  I don’t have the slightest idea how a writer would put those alien phonemes into English.  I want to say, “It sounds like Navajo,” but what the hell does that mean?  I wonder what they are talking about.  Me?  Are they saying critical things about me?  Is he making some kind of comment about my feet?  Is my reaction  normal paranoia, a normal egotism:  it must be about me.

The other day I listened to an  NPR interview with a man who has written a book about what annoys us and why.  It turns out that other people talking on their cell phones in public is our number one annoyance.  No surprise.  The author had a scientific term for this specific kind of annoyance.  Basically, it’s annoying because we are only getting half of the communication.  For some reason, we are compelled to try to fill in the other side of the conversation.  I would say it’s the urge to make sense.  Literally, “create sense” of our experience.  That’s why I write, want to write, need to write:  Man’s (and Woman’s) search for meaning, and all that.

 Abruptly, the pedicurist stands up, nods at me, and leaves.  A Vietnamese woman in a plaid shirt with a button missing takes over.  She explains in fairly good English, “He’s going to the grocery store.”  Maybe that’s what they have been talking about, collaborating on a grocery list.  I don’t know and really don’t care.   I go back to writing, and then—I  don’t know why—I say to her, “You know something interesting.  When people laugh, it all sounds the same.”

She looks at me, nods in agreement, and says, “people only have three laughs, ‘ha, ha’; ‘ho, ho’; ‘hee, hee.’”  She repeats the three forms of laughter, motions for me to stand up and go sit at the nail-drying station.  That’s pretty much it.

Tuesday, May 10, 2011

Composing letters in my head: does that count?

I don't compose letters in my head to dead people, my father, for instance, but I am often writing a mental note to my son and it is always a combination of advice and remorse.